Blackmagic Design Pocket Cinema Camera 6K G2 Compact film camera 35 mm Black

Product Information

Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, irisbutton for instant auto iris settings on compatiblelenses. Screen Dimensions Electronic control via EF mount pins or 12pin broadcast connector for compatiblelenses Dynamic Range Storage is taken care of by one SD slot, one CFast slot (shame it's not CFexpress) and the option to plug in an external SSD. (Image credit: Rod Lawton) Despite looking like a handheld camera, this is one that’s going to be most at home on a tripod, on a meaty gimbal or on a rig with other accessories like mics, storage and a monitor.

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More advanced 6K model featuring alarger 6144x3456 Super35 wide dynamic range sensor andEFlens mount. Features tilt adjustable LCD and a larger battery. Supports adding an optionalviewfinder. URSA Mini Pro 12K with OLPF has better detail handling for high end feature film. Itincludes a12K Super 35mm 80MP sensor, wide dynamic range, G5 color science, revolutionary RGBW color and in-sensorscaling.

Being able to perform stabilization in the editing suite instead of in a separate piece of software — as is the case with Sony’s cameras, where a dedicated app called Catalyst Browse must be used for stabilization — makes for a faster workflow. Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in videomode. Screen Dimensions The 82mm lens cap easily snaps on to protect your camera’s lens from scratches, dust, moisture, and fingerprints when the camera isnot inuse.

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If you’re already familiar with the original BMPCC 6K, you may already know all the basic specs that carry over to the G2. But just in case you need a refresher, here’s a recap: As you can see, the 6K continues to be a fairly substantial powerhouse of a cinema camera – especially if you’re not ready to spend considerably more for an Ursa or Canon C-Series. If you’re in the market for a new 6K and don’t need the pro, get the G2. Davinci Resolve Studio * will automatically find and sync the shots from all of the cameras so that you don’t need to spend hours doing it manually.The Panasonic mentioned above S5 II also has a much less rolling shutter, which I found to be a major issue on the BMPCC 6K G2. Many hybrid cameras with full-frame sensors have less rolling shutter than this camera does.

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Ultra HD video standards: 2160p/23.98 / 2160p/24 / 2160p/25 / 2160p/29.97 / 2160p/30 / 2160p/50 / 2160p/59.94 / 2160p/60 Built in grab handles for positioning the monitor independently from thecamera. Position Adjustment Options Automatically populated lens data from electronic EF, B4 and i/Technology compatible PL lenses. Automatic recording of camera settings and slate data such as project, scene number, take and specialnotes. Controls Separately, if you’re looking for a camera with autofocus, you’d be better off with something like the Panasonic S5 II or S5 IIX, the Fujifilm X-H2, or X-H2S.

This is a big camera. It gets even bigger when you put a lens on the front because the body has to accommodate the extra flange depth of the EF mount lenses, even if it doesn’t have a mirror. Officially, it only supports EF lenses, but we've heard from users who use EF-S lenses too. One of ours (a Canon EF-S 18-55mm kits lens) didn't seem to want to fit but another, a Tokina 12-24mm f/4 APS-C lens, went on fine. The URSA Mini Pro F Mount lets you use your favorite Nikon stills lenses with smooth high precision mechanical iris control. Nowyou can pair digital film quality with classic Nikon AF‑SG andAF‑D serieslenses. DCI standards: 4KDCIp/23.98 / 4KDCIp/24 / 4KDCIp/25 / 4KDCIp/29.97 / 4KDCIp/30 / 4KDCIp/50 / 4KDCIp/59.94 / 4KDCIp/60 Resolutions: 6144 x 3456 (6K) up to 50 fps / 6144 x 2560 (6K 2.4:1) up to 60 fps / 5744 x 3024 (5.7K 17: 9) up to 60 fps / 4096 x 2160 (4K DCI) up to 60 fps / 3840 x 2160 (Ultra HD) up to 60 fps / 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps / 2868 x 1512 (2.8K 17:9) up to 120 fps / 1920 x 1080 (HD) up to 120 fps While the in-software stabilization of footage from the BMPCC is excellent, as with many of the top-end software-stabilized options out there, it’s impossible to know what the crop will look like until stabilization is complete.