The Payback: (Dennis Milne: book 3): a punchy, race-against-time thriller from bestselling author Simon Kernick (Dennis Milne, 3)

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I enjoyed The First 48 Hours as it is a clever novel with plenty of twists and turns. I did not find it as gripping as I thought it would be and that is due, I think, to the continually changing point of view. The majority of the novel is told in the first person from the first person perspective of a morally ambiguous detective, Fish with the lawyer, the couple and some other characters making contributions as and when required. It is the first of his books that I have come across, but I trust it will not be the last. Read it if you enjoy complicated storylines well-handled, multiple plot twists, continuous tension, and a satisfying ending without annoying plot devices that involve reaching too far.

I would like to thank Netgalley and Headline for an advance copy of The First 48 Hours, a stand-alone thriller set in London. Newly engaged Elena Serenko has just made the life-changing decision to quit her job and start a new life in Australia. Tell me about your next book, Tell No One by Harlan Coben, which sounds like a very tense thriller and is all about a doctor losing (or is it finding) his wife? Although you’ll get different answers from different people, for me I think that a thriller is more plot-related. Characterisation is important but I think less so than the plot. Pace is also essential in a thriller, whereas it doesn’t have to be in a regular crime novel. Clearly there are crime novels which have pace as well but the mix tends to be more focused towards characterisation. The First 48 Hours is no exception with an opening chapter that subverts expectations straight away.Before we start with your five books, I would love to know what you think makes something a thriller as opposed to a straightforward crime novel. There are very few redeeming qualities among the array of characters that feature in the story. Many of the characters come across as caricatures of criminals, their driving force is self-preservation and they are more than willing to double-cross each other if that means they'll escape.

This was the first book from my Harrogate haul. Not out until October but get this on your TBR! It's really hard to describe the plot as it soon spirals into something I was swept away with, But let's just say there are a lof of people in this book who lie or who don't know what they're saying.The First 48 Hours” is a verd thriller where three enthralling storylines are connected by secrets, danger, and a constant race against time. A committed detective is assigned the task of solving a chilling murder case. The second storyline features a mother who is defending her own child accused of murder and thirdly a couple planning what they believe to be the perfect crime. There are some good twists along the way that worked well for me - some of the recent 'twist masters'' works have felt like they just want to add one after another after another to the point you find them so contrived it's spoils the story. Here, they're relevant, appropriate and germane to the overall plot. This is a brilliant book because it turns crime fiction on its head. It is a story told by a retired detective to a crime writer who has just given a lecture on crime writing at a police conference. The detective is talking about one of his former colleagues and how he became obsessed with this case about a little girl who was found murdered in some woods on the outskirts of a small Swiss town in the 1950s. The detective who finds the girl was just about to leave his job to go and work overseas, but he makes a promise – a pledge – to the girl’s parents that he will find her killer and bring him to justice, and that pledge takes over his life. It is an immensely moving scene when he talks to the girl’s parents, and very difficult to read. The story involves multiple POV, and three apparently unrelated plot lines which intersect smoothly at the right point. This is a writer clearly experienced with delivering a gripping and unusual story, which is remarkably hard to put down.

So... we start with a detective on the hunt for some cold blooded kidnappers. Ones who have also just stepped up to being killers. There's something hinky about the way he is going about it though. We also then have a mother who is a lawyer defending a nasty piece of work but one she has to defend with every bone of her body as her daughter's life depends on the outcome. And finally we have a couple bent on committing the perfect crime. I highly recommend this thriller- if you’ve read other books by Simon you’ll love this and if you haven’t it’s a perfect one to start with. Five stars from me. High up amongst the penthouse suites, a skilled and dangerous killer is hunting a quarry who's eluded him for far too long. Fish is a detective who works for the Met investigating kidnaps, particularly a group of kidnappers called the Vanishers who snatch young people for ransoms. However Fish has many secrets of his own and his first person narration leads the reader to suspect that he is not a particularly nice character and certainly knows more about the kidnappers than it first appears.

Briefly, the demotion doesn’t bother Fisher as he has one last job to complete before he retires to the beach in Thailand. We follow Fisher as he tries to keep his police colleagues from discovering who the Vanishers are, where the kidnapped daughter is and of course his Jekyll and Hyde life.

You often talk to police officers as part of your research – so do you agree with the book’s theory? Yes, exactly. He can’t be one hundred per cent sure because, like everyone else, he’s convinced she’s dead, but he looks into it more deeply and he opens up a real can of worms, finding out first that she is still alive (although in hiding), and then that he’s being set up for her murder. People around him start dying and he finds himself on the run. It’s a hugely pacy book, with short chapters and a whole load of twists and turns. You always think you know what is going to happen but then Coben produces another twist and once again you don’t know where you are. And he manages to carry this on right the way through the book, which is no mean feat.A group of kidnappers, and a crooked cop who knows how the system works is also on the investigation team. The book that really stood out for me in this excellent series is A Dance at the Slaughterhouse, in which Scudder is hired to find out whether a guy has murdered his wife or not. Basically the man and his wife were supposedly ambushed in their apartment by a couple of burglars who they disturbed after a night out. The man was beaten and his wife was murdered. The wife’s brother suspects that there is something amiss and thinks that the husband is responsible, so he hires Scudder to look into it and we soon find ourselves in the real dark underbelly of New York. Oh, totally. I don’t think crime fiction can be realistic. It can be authentic, but that’s very different. I like to think that my books are authentic insofar as I give the reader the correct information about police procedures. However with my books – and a lot of other crime books – everything is summed up very neatly at the end. Your main detective protagonist solves the crime and catches the killer. It’s always a killer who isn’t very easy to spot, whereas the reality is totally different. Usually with police work, who you think did it usually did do it, and when you get them in the interview room, rather than spilling the beans Hercule Poirot style, they call for their lawyer and say nothing but a litany of ‘no comment’s. And when you finally do get the case before a court, months and reams of paperwork later, the lawyers often get them off! Once again, I was treated to an excellent, gritty and gripping plot filled with twists, turns and tension that had me reading way into the night with anticipation as to how it was all going to end. The pacing of the story is perfect with each chapter moving the story on at speed. What none of them know is that a group of ruthless gunmen are about to burst into the Stanhope, shooting indiscriminately, and seizing hostages.