Magic Whip

Product Information

Sinclair, Mark (17 March 2015). "The Magic Whip – the making of Blur's new album cover". Creative Review. Archived from the original on 19 April 2015 . Retrieved 3 May 2015. Prevost, Dinorah (13 May 2015). "Review: With 'The Magic Whip' Blur doesn't miss a beat". Tampa Bay Times . Retrieved 16 May 2015. Unterberger, Andrew (28 April 2015). "Blur, 'The Magic Whip' (Parlophone)". Spin . Retrieved 28 April 2015. Oficjalna lista sprzedaży:: OLiS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry. Retrieved 6 May 2015. Singer-songwriter Damon Albarn invokes Bradbury’s sentiment on "There Are Too Many of Us", the emotional centerpiece of The Magic Whip, the reunion album from his reconstituted flagship Blur, as he muses about an Australian hostage crisis he once spectated on television from a hotel room above it. "For a moment I was dislocated by terror on the loop elsewhere," he admits in verse two—not horrified, just momentarily "dislocated"—as if to call into question our dwindling concern for people in places outside our cubicles of convenience. Technology has made our world smaller, but it hasn’t made us less isolated. Ease of access doesn’t equal closeness.

A1. Recorded by [...] at Studio 13 London + Avon Studios Hong Kong, additional recording [...] at the Bunker@Miloco and Assault And Battery II Kreps, Daniel. "Watch Blur Go 8-Bit in Zany "Ong Ong" Video". Rolling Stone . Retrieved 10 October 2015. A2. Recorded by [...] at Studio 13 London + Avon Studios Hong Kong, additional recording [...] at the Bunker@Miloco

Companies, etc.

Krep, Daniel (20 March 2015). "Hear Blur's Majestic New Doom-and-Gloom Song "There Are Too Many of Us" ". Rolling Stone . Retrieved 15 May 2015. Payne, Chris (2 April 2015). "Join a Magic Line Dancing Crew For Blur's New 'Lonesome Street' Video". Billboard . Retrieved 15 May 2015.

D2. Recorded by [...] at Studio 13 London + Avon Studios Hong Kong, additional recording [...] at the Bunker@Miloco and Assault And Battery II Cover art for Blur’s upcoming album The Ballad of Darren, with an image by Martin Parr. Photograph: - Following the commercial and critical success of their third album ‘Parklife’ (more that one in a bit) was always going to be a tough ask. The 1994 release turned Blur into one of the biggest bands of the 90s. Albarn and co were all over the British tabloids, who loved to pit the band against Oasis in the “Battle Of Britpop”, and the pressure was on to convert the try. While many dismiss ‘The Great Escape’ as a poppier 'Parklife Pt.2', the funny storytelling, terrific riffs and catchy tunes are a rather perfect distillation of the band’s sound. Graham Coxon’s guitars have never sounded better, especially when paired with Alex James’ base-line, and the singles ‘Stereotypes’, ‘Charmless Man’ and, of course, ‘Country House’ (the song that lead them to win the charts stand-off against Oasis), all shine. But it’s ‘Mr. Robinson’s Quango’ and ‘The Universal’ which steal the show, proving that Blur weren’t just about enjoyable pop songs. There is a widescreen ambition on show here that proved at the time that Blur were just getting started and weren’t going to live and die with the Britpop movement. B2. Recorded by [...] at Studio 13 London + Avon Studios Hong Kong, additional recording [...] at the Bunker A3. Recorded by [...] at Studio 13 London + Avon Studios Hong Kong, additional recording [...] at the BunkerPetridis, Alexis (22 April 2015). "Blur: The Magic Whip – review". The Guardian. London . Retrieved 22 April 2015. Goods that are faulty or sent in error must be returned to Crash Records Limited, 35 The Headrow, Leeds, LS1 6PU within 7 working days of the item being received by the customer. Zaleski, Annie (28 April 2015). "With The Magic Whip, Blur remains stubbornly iconoclastic". The A.V. Club . Retrieved 28 April 2015.

B3. Recorded by [...] at Studio 13 London + Avon Studios Hong Kong, additional recording [...] at the Bunker@Miloco and Assault And Battery II Blur from 1997 is a superb album along with MLIR, Parklife and TGE. 13 is a bit muddled as the songs get lost in William Orbits dense production. C2. Recorded by [...] at Studio 13 London + Avon Studios Hong Kong, additional recording [...] at the Bunker@Miloco and Assault And Battery IIC3. Recorded by [...] at Studio 13 London + Avon Studios Hong Kong, additional recording [...] at the Bunker@Miloco and Assault And Battery II a b Thorpe, Vanessa (1 March 2015). "Graham Coxon on the Blur reunion: 'Pop doesn't have to be a fleeting thing' ". The Guardian . Retrieved 11 May 2015. B1. Recorded by [...] at Studio 13 London + Avon Studios Hong Kong, additional recording [...] at the Bunker Unterberger, Andrew (28 April 2015). "Review: Blur Cruise Comfortably Into Their Second Act with 'The Magic Whip' ". Spin . Retrieved 15 December 2015.