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Resistance and Self-Expression: Fashion's Power in Times of Difference". notjustalabel.com. Archived from the original on 25 December 2019 . Retrieved 3 May 2020. Gatlin, Chancy J. (2014). The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community (Thesis). Georgia State University. Younker, T. (2011). "Lolita: Dreaming, Despairing, Defying". Stanford Journal of East Asian Affairs. 11 (1): 97–110. Some Lolitas say they enjoy the dress of the subculture simply because it is fun and not as a protest against traditional Japanese society. [10] Other motives could be that wearing the fashion style increases their self-confidence [98] [99] [100] [101] or to express an alternative identity. [10] [76] [32] [97] [102] [103] Socioeconomic dimension [ edit ] Peirson-Smith, A. (2015). Hey sister, can I borrow your style?: a study of the trans-cultural, trans-textual flows of the Gothic Lolita trend in Asia and beyond (Thesis). City University of Hong Kong.

Coombes, K. (2016). Consuming Hello Kitty: Saccharide Cuteness in Japanese Society (Thesis). Wellesley College. a b c d e f g h i Kawamura, Yuniya (2012). "Harajuku: The Youth in Silent Rebellion". Fashioning Japanese Subcultures. pp.65–75. doi: 10.2752/9781474235327/KAWAMURA0008. ISBN 9781474235327. Baby, the Stars Shine Bright and Tokyo Rebel to open retail locations in New York". Arama! Japan. July 2014. Archived from the original on 8 August 2017 . Retrieved 8 August 2017.What the Hell has Happened to Tokyo's Fashion Subcultures?". Dazed. 4 December 2015. Archived from the original on 13 June 2018 . Retrieved 13 June 2018. Hardy Bernal, Kathryn (2016). "Performing Lolita: The Japanese Gothic and Lolita Subculture and Constructing Identity through Virtual Space". Journal of Asia-Pacific Pop Culture. 1 (1): 79–102. doi: 10.5325/jasiapacipopcult.1.1.0079. JSTOR 10.5325/jasiapacipopcult.1.1.0079. S2CID 194483476. De opkomst van de mangacultuur in België. Een subcultuuronderzoek., Lora-Elly Vannieuwenhuysen, p. 48, KU Leuven, 2014–2015. Tokyo Day 7 Part 3 – Gothic Lolita, Marui One, Marui Young Shinjuku". Archived from the original on 22 October 2016 . Retrieved 8 August 2017.

a b "Japan's wild, creative Harajuku street style is dead. Long live Uniqlo". Quartz. Archived from the original on 8 August 2017 . Retrieved 8 August 2017. a b Kawamura, Yuniya (2012). "The Globalization of Japanese Subcultures and Fashion: Future Possibilities and Limitations". Fashioning Japanese Subcultures. pp.126–135. doi: 10.2752/9781474235327/KAWAMURA0015. ISBN 9781474235327.

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Talmadge, Eric (7 August 2008). "Tokyo's Lolita scene all about escapismn". The Japan Times. Archived from the original on 11 August 2017 . Retrieved 11 August 2017.

Monden, Masafumi (2014). "Being Alice in Japan: Performing a cute, 'girlish' revolt". Japan Forum. 26 (2): 265–285. doi: 10.1080/09555803.2014.900511. S2CID 143270185. a b Koma, K. (2013). "Kawaii as Represented in Scientific Research: The Possibilities of Kawaii Cultural Studies". Hemispheres, Studies on Cultures and Societies (28): 103–117. Archived from the original on 12 August 2017 . Retrieved 10 February 2018. Lolita Fashion". The Paris Review. 25 May 2017. Archived from the original on 6 August 2017 . Retrieved 6 August 2017. Pretty in Pink". The Bold Italic Editors. 8 April 2010. Archived from the original on 8 August 2017 . Retrieved 9 August 2017.The government of Japan has also tried to popularize Lolita fashion. The Minister of Foreign Affairs in February 2009 [68] assigned models to spread Japanese pop culture. [69] [70] [71] [24] These people were given the title of Kawaa Taishi (ambassadors of cuteness). [70] [34] The first three ambassadors of cuteness were model Misako Aoki, who represents the Lolita style of frills-and-lace, Yu Kimura, who represents the Harajuku style, and Shizuka Fujioka, who represents the school-uniform-styled fashion. [70] [72] Another way that Japan tries to popularize Japanese street fashion and Lolita is by organizing the international Harajuku walk in Japan, potentially leading other countries to organize similar walks. [73] Hardy Bernal, Kathryn A. (2007). Kamikaze Girls and Loli-Goths. Fashion in Fiction Conference, University of Technology, Sydney, Australia. Archived from the original on 11 August 2017 . Retrieved 11 February 2018. Kawamura, Yuniya (2012). "Geographically and Stylistically Defined Japanese Subcultures". Fashioning Japanese Subcultures. pp.43–50. doi: 10.2752/9781474235327/KAWAMURA0006a. ISBN 9781474235327.

Over time, the youth that gathered in Harajuku or at Harajuku Bridge disappeared. One possible explanation is that the introduction of fast fashion from retailers H&M and Forever 21 caused a reduction in the consumption of street fashion. [47] [16] FRUiTS ceased publication while Gothic & Lolita Bible was put on hiatus in 2017. [47] [48] Sources of inspiration [ edit ] Handmade lolita dress Younker, Terasa. "Lolita: dreaming, despairing,defying" (PDF). New York University: 97. Archived (PDF) from the original on 1 November 2020 . Retrieved 30 September 2020. Gothic & Lolita Bible in English". Japanese Streets. Archived from the original on 8 August 2017 . Retrieved 8 August 2017. Within Japanese culture the name refers to cuteness and elegance rather than to sexual attractiveness. [128] [129] Many lolitas in Japan are not aware that lolita is associated with Nabokov's book and they are disgusted by it when they discover such relation. [130] The Japanese sense of "Lolita" also appears in lolicon (from "Lolita complex"), [131] [132] a term associated with Russell Trainer's novel The Lolita Complex (1966, translated 1969) and associated with otaku (anime and manga fan) culture. The concept and genre of media reflects a blend between the aesthetic of kawaii and sexual themes in fiction. [122]Association formed to pitch 'Lolita fashion' to the world". The Japan Times. 31 May 2013. Archived from the original on 11 August 2017 . Retrieved 11 August 2017. Gagné, Isaac (2008). "Urban Princesses: Performance and "Women's Language" in Japan's Gothic/Lolita Subculture". Journal of Linguistic Anthropology. 18: 130–150. doi: 10.1111/j.1548-1395.2008.00006.x. About Metamorphose". Metamorphose. Archived from the original on 23 September 2004 . Retrieved 25 February 2018. a b Hardy Bernal, Kathryn A. (2019). Lolita Latina: an examination of Gothic and Lolita Style in the Mexican environment: a thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Visual and Material Culture, College of Creative Arts, Massey University, Wellington, New Zealand (Thesis). Massey University. Archived from the original on 17 May 2021 . Retrieved 18 May 2021.