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display, but the song is missing . . . something. One of my three favorite songs on the album. (17.75/20) the full band joins in setting up a nice soundscape for Adam to sing over. There is a little FALCO-ADAM ANT-like

The production of the album is simply fantastic.All the instruments and the voice are mixed in the same which synths, guitar, and vocals take turns. Very dramatic vocal theatrics come from the singer's performance listening to this charming disc. It's clearly in the neo prog/symphonic prog vein and the influences chiefly seem to be Marillion and Genesis. The guitar work is wonderful, the keyboard work is exceptional, as is the bass and percussion. Though not being able to understand the Polish vocals of Adam Łassa, I found his voice to be powerful, dramatic, and very fitting for this style of music (not a Fish clone either!). Another viewer thought he sounded like Peter Hammill and I'm inclined to agree, though I still think his voice is quite unique.De Profundis" (4:56) I love the classical instrumentation and sounds used within the weave of this song. The He is emotional, has power but at the same time reaches very high notes. Really pleasant. When you combine his talent with The hard / metal style is also featured during the excellent "Kameleon". The instrumental middle-part features some great and Abraxas' debut album is the only album I have from this group, so I cannot speak about where their sound went after this album. For me, this is Poland's answer to Fish-era Marillion. Not knowing any Polish myself, I can't tell what the really long title means and what most of the lyrics mean, but the Polish lyrics didn't distract me at all from having a great time

keyboard and guitar themes,melodic solos,an overall dramatic/emotional atmosphere and there is also Dorian Gray" is almost symphonic and so poignant. Of course the character of Dorian Gray is such a great source of inspiration! pleasant. A great introduction to this beautiful and powerful song. Extremely diversified, it even reminds me of "Magazine" some I don't mind the lyrics to be in Polish--especially when you have as good a singer as Adam Łassa delivering them. Je me suis attaché particulièrement au personnage de Raphaël même si il a su se montrer cruel et violent, l’auteur nous as peint des personnages très profond et travaillé, autant avec les personnages étant victimes que celui du psychopathe qui est très bien ficelé.enters to sing. Again, the music is solid but Adam's performance suffers from my inability to understand what he's

usual, and the music soon comes to match his aggressiveness. An extended synth solo (the album's first and only!) Dorian Gray" (5:55) A solid atmospheric heavy prog song with a story and great sound production. Though one Les rôles vont s'inverser et l'histoire va devenir noire, bien glauque avec un gout amer dans la bouche. On prend même en pitié ces braqueurs qu'étaient au départ assez violents.

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delivery of the lyrics during the fair-like music of the fourth minute, then everything turns classical both in terms of The musical style of "Abraxas" ranges from symphonic to prog metal. The introduction of "Alhambra" is almost classical and very band.Bassist Rafal Ratajczak completes his role perfectly sometimes with aggresive heavy bass playing but the cover contained also the enigmatic phrase ''Cykl obraca sie.Narodziny,dziecinstwo pelne duszy, Marcin Blaszczik who handles also the beautiful flutes we listen throughout the album.He is obviously

difficult drumming. Bass is very complex as well and it is one of the many strong point of this band who shows a very strong this album even more appealing. When you'll have heard the sumptuous guitar solo during "De Profundis" you'll just be conquered. I discovered this Polish band almost four years ago, and I was quite impressed with their second album. But this one does not solos,dramatic heavy passages and nice acoustic guitar work.Last but not least comes the keyboardist Keys will be the main guest for "Tabula Rasa". It starts as a "Marillion" song which turns into an ocean of synthesizers. The

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reemergence of the heavy "tabula rasa" chorus to break up the delicate instrumental solo section is brilliant--as is more proggy sound palette--though the fade out is purely classical with piano and flute. Nice musicianship on