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TOYANDONA Halloween Disguise Glasses with Funny Nose Eyebrows Mustache Groucho Marx Eyewear Cosplay Halloween Costume Photo Prop Party Favors

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Obfuscating Stupidity: Although the public image of Margaret Dumont was as a stuffy dowager who, according to legend, had no clue how the brothers were funny, many people have observed that she had a long enough career in stage comedy to say that was an act. Groucho claimed she really didn't get the jokes, but who're you gonna believe, him or your own eyes? In Welcome To The Family Light Yagami determines that not even the genii of Wammy's House can withstand the mighty stealth powers of the " magic hoodie" that somehow renders him unrecognizable whenever he goes out to do nefarious things. Funny Foreigner: Chico is a holdover of the classic "dialect comedian" from vaudeville, specifically a comical Italian. Happily Adopted: Harpo and his wife Susan had four adopted children, and made the decision early on to be open with them about this fact so that there wouldn't be any question of them being blindsided by a revelation later in life and potentially questioning if they were less valued than a biological child would have been. The children grew up knowing they came from "somewhere else" (in fact, their favorite bedtime story was a fictionalized account of how they came to live with Harpo and Susan), but that this didn't make them any less a family.

A disguise that is so "thin" that the audience can immediately recognize who the person behind the "mask" actually is. Note that this doesn't require an actual mask; the character may have merely styled their hair differently, added glasses, or changed into a different outfit. Regardless of exactly what was used for the disguise, the identity of the character is completely clear, usually before they remove it, and sometimes other characters can see through it as well. Any character who is fooled is likely a Horrible Judge of Character; the egregiousness of their misjudgment depends on the disguise. The members of Pink Floyd would sometimes mingle with the audience for drinks during the intermissions for their shows, with no disguise other than leaving their instruments behind. They were almost never identified as the people who had previously been performing under a spotlight right in front of them. Of course, all four of them were pretty unremarkable-looking and they tended to stay out of the public eye, but still... Bunsen takes a turn while being harassed by multiple clones of Beaker, trying to hide his identity using a Conspicuous Trenchcoat, a hat and a plastic glasses/nose/'stache arrangement. It fools Kermit but works for all of thirty seconds before the Beakers find him. Dilbert: Alice is clearly not fooled by the PHB's disguise (which is just a fake moustache) here , nor is his secretary fooled in a following strip. In Apollo Justice: Ace Attorney, Apollo never notices the uncanny resemblance between the picture on the wall at the Wright and Co Offices and the victim of his first case (not even noting familiarity) even when the only difference is a goatee. On the other hand, Phoenix notices from the first meeting. The player, on the other hand, stands a chance of noticing at first glance, even without color.Mega Man: Defender of the Human Race has Wily's "Mr. X" outfit; possibly even worse is ProtoMan's alias, "Pro T. Mann." In another instance, he deliberately tells a bad joke and then says to the audience "Well, all the jokes can't be good! You gotta expect that sometimes." Usually averted whenever it happens on Sesame Street, when other characters see through the paper-thin disguises. Justified as it is an educational show for children. Some examples include: Herr Doktor: Dr. Leopold X. Steinberg in A Day at the Races, played by German-born actor Sig Ruman. Seen in a TV ad for Speedway, featuring a contest for their Speedy Rewards card loyalty card. A man keeps coming in and using his card, wearing a series of ridiculous disguises. Finally, the clerk, who isn't fooled for a minute, tells the customer that he can use the same card as many times as he wants and still be entered in the contest each time. MST3K Mantra, since if you think about it for more than a few seconds, you realize that no matter how well he disguises himself, the card always carries the same computerized details about his identification. (Then again, he might not be smart enough to realize that.)

Barney Rubble in the Pebbles commercials, though Barney has had his share of ultra-realistic disguises involving rubber masks. This 1972 commercial was one of the first to show Barney pulling this stunt. In this case the ONLY change was putting a fake beard on. And he still managed to fool Fred . Played for Laughs in Yamujiburo's Pokémon fan-art where Jessie begins dating Ash's mother Delia. Ash doesn't initially recognize Jessie when introduced to his new step-mom. Lighter and Softer: When the Brothers went to MGM, Irving Thalberg made them lighten up their act a bit to play slightly nicer characters who saved their mischief for the villains while helping the romantic leads of the stories.Brother on Board: Master of disguise Mr. 2 actually pulls this off well while hunting down Mr. 3. His powers let him turn into a physical double of anyone he's ever touched, but he can only use his martial arts effectively in his true form. So, what does he do? He puts on a plain suit and removes his makeup. Remarkably effective at disguising the normally flamboyant okama, the Straw Hats only recognize him from his ballet shoes.

Once on the Dream SMP, Technoblade stands in front of a "Wanted!" Poster in L'Manburg as a disguise. It's is even thinner as the clothing skin Techno's wearing is distinctly different than the one on the poster. Downplayed in that Tubbo and Ranboo did recognize him, but are either too intimidated, confused, or amused to point him out. Similarly in Relic Of The Future, Ozpin decides it's probably coincidence that Jaune Ashari is almost identical to Nicholas Arc, figuring the two are probably distantly related at best.

Example Subpages:

Monkey Business (1931) — The Marx Brothers' first film written expressly for the screen rather than adapted from a stage play.

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