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As am I. Representation always matters, whether it's in the Halls of Congress or at your local independent theater. Queer women deserve to have their queer female sex represented on screen, without it devolving into typical pornographic tropes: shaved vaginas, sorority sisters, giant jiggly boobs, foot-long dildos, scissoring, a well-hung neighbor guy who just "pops in" for a threesome, etc. There's absolutely nothing wrong with any of these erotic ingredients, per se, but it's formulaic and not particularly representational of most queer sex. Leny wanted to hold hands. ‘I’ve changed women before,’ she’d tell me. ‘I can do things to you that no man can.’ I felt objectified and I’d get annoyed. ‘You can’t change me,’ I’d respond. I'm not about to put Kissing Jessica Stein in this category, because it's too weak of a queer film to be even considered. There's also Mulholland Drive, which had some very brief hot queer moments relative to its era (2001). Heavenly Creatures (1994) served the queer goth community particularly well. Sadly, that community is relatively small. The Nazis believed that German women had a special task to perform: motherhood. According to Nazi logic, lesbians were women and should thus be mothers. They had a responsibility to give birth to racially pure Germans, called “ Aryans .” Based on the French novella “Carmilla,” which would also inspire Hammer Films’ Karnstein Trilogy a decade later, “Blood and Roses” is notable for launching Roger Vadim’s fruitful collaboration with cinematographer Claude Renoir, who would later shoot Vadim’s cult classic, “Barbarella.” StarringMel Ferrer as Leopoldo De Karnstein and Elsa Martinelli as Georgia Monteverdi.
The relationships inmates establish with each other are treated as nothing more than kinky lies to be ashamed of upon returning to the real world,” she writes. “But they’re not.Before, during, and after the Nazi regime, men accused of homosexuality were prosecuted under Paragraph 175 of the German criminal code. This statute criminalized sexual relations between men. It did not apply to sexual relations between women. Nonetheless, beginning in 1933, the Nazi regime harassed and destroyed lesbian communities and networks that had developed during the Weimar Republic (1918–1933). This created a climate of restriction and fear for many lesbians. It was bad enough that the prison institution took ownership of my body―that I was caged and stripsearched on a regular basis and had already been sexually harassed by male guards.” Large numbers of Germans were opposed to these public discussions of sex and sexuality. They viewed such debates as decadent, overly permissive, and immoral. Many were disturbed by the increased visibility of sex in advertising, film, and other aspects of daily life. For these Germans, gay and lesbian communities were one symbol of what they saw as the degeneration of German society. In the camps, women who self-identified or were identified as lesbians did not wear the pink triangle. Instead, they wore badges that corresponded to the official reason for their arrest and internment. Sexual Relations between Women in Concentration Camps Directed by Michael Almereyda (“Twister”) and starring Elina Löwensohn as Nadja and Peter Fonda as Van Helsing, this ’90s arthouse horror features a David Lynch cameo as a morgue attendant. Lynch also lends his name as executive producer.
Deliciously dirty, 'first time' Lesbian erotica; a sexually detailed story of skilful seduction and sweet submission. Sarah, a shy young virgin-girl has always lived a protected life at home with her loving parents until the day came when they decided that it was time for her to attend college, meet other girls her same age, become a bit more worldly wise, and also get up to speed on her education. Public discussions of sexuality had occurred in Germany since the late 19th century. However, the social atmosphere during the Weimar Republic created more space for these conversations. There were discussions about homosexuality at the time. 1 Physician and sex researcher Magnus Hirschfeld and others organized gay and lesbian “friendship leagues” ( Freundschaftsverbände ), which also included heterosexual members. These groups advocated for the decriminalization of sexual relations between men. In this endeavor, they found allies on the political left and center. Among the supporters were: Adolf Hitler was appointed chancellor of Germany on January 30, 1933. Soon afterwards, Germany’s gay and lesbian communities came under pressure and scrutiny from the new regime. For men accused of homosexuality, this worsened over the course of the 1930s. They faced brutal persecution. Shutting Down Lesbian and Gay Meeting Places In the office, nothing changed. Both of us swore not to tell anyone else. I dodged questions from friends about my relationship status like bullets - the lies were worth it for the delirium I felt when I was with her.I also love the way Sebastián chose to shoot it. It was storyboarded. All the wetness, the spitting in the mouth, the pubic hair, the vaginas, but also leaving some of it to the audience to imagine. Where is the other woman’s mouth, where are her fingers? It was important for him to focus on our faces to really capture that desire. There’s something very spiritual about their sex. I’m really proud of it." The Nazis did not systematically prosecute or persecute lesbians solely because of their sexuality. Under the Nazi regime, there was no official law or policy prohibiting sexual relations between women. This is unlike the case of gay men.
Hirschfeld and others also sought to educate the public about sexuality. For example, they promoted Hirschfeld’s ideas that homosexuality is inborn and not a vice or perversion. Marking the first time the lesbian vampire appears onscreen, Universal Pictures was well aware that its “Dracula” sequel had sapphic overtones. In “The Celluloid Closet,” gay film historian Vito Russo noted the studio stoked the flames in its initial marketing. Russo also cites the film as an early example of the (albeit negative) predatory homosexual trope. Lesbians responded to these new fears and conditions in different ways. Not all lesbians made the same decisions. Nor did they all have the same choices. For example, Aryan lesbians had far more options than Jewish or Romani lesbians, who—above all — faced persecution for racial reasons.Amanda Knox says women in her prison sought out each other’s company — and sex — in desperate bids for human connection. Picture: AP ThisSwedish / Swiss / German horror film was directed by sexploitation pioneer Joseph W. Sarno, who had a fruitful adult film career under various pseudonyms, working with Annie Sprinkle, Ron Jeremy, and Harry Reems (“Deep Throat”). A women’s cult resurrects their vampire queen, using the willing young vessel played by Swedish actress Marie Forså. Prolific Spanish filmmakerJesús Franco was known for stylish exploitation films, and cast his favorite leading lady Soledad Miranda (billed as Susann Korda)in what would be the fourth of eight collaborations between the two. Franco transposed Bram Stoker’s short story “Dracula’s Guest” to 1970s Istanbul, where Dracula’s heir sets her sights on American lawyer Linda (Ewa Strömberg). First-hand testimonies, memoirs, and diaries of former prisoners reveal that prisoners had sexual encounters with each other in concentration camps. According to these sources, sexual encounters ranged from consensual intimacies to prostitution to brutal sexual assault. Both heterosexual and same-sex relationships took place in the camps.
Knox admits that prison relationships can be about sex. But mostly, she writes, it’s about human connection. When she arrives at Suzie's she finds that her friend has had to go away for a night or two, and there is no one there to welcome her but her friend's mom, Kathryn, a beautiful mature cougar. Mandy is no match for her; she may be just turned 18, still untouched and pure, but that doesn't stop her friend's seductive mom from making a play for her the first chance she gets. During the Nazi regime, lesbians could not continue to live and socialize as they had during the Weimar Republic. Much of German society saw lesbians as social outsiders, meaning people who did not fit into the mainstream. As such, they had a higher risk of being denounced and then targeted by the Nazi regime.Perhaps it’s trite to say that “representation matters,” but some things are cliché because they’re true. The first time I ever saw lesbians onscreen was when my high school’s Gay Bisexual Straight Alliance played part of the first scene of the original L Word series. (The “sweet little figs” scene, in case you were wondering—the girls who get it get it.) Even so, it wasn’t until years later, when I first saw Blue Is the Warmest Color , that I actually found a queer story that reminded me of my own. The first teaser for Lars von Trier‘s buzzy erotic drama Nymphomaniac has been released online, and it’s branded with the auteur’s distinctive style of yellow-tinted scenery and an unvarnished, at times unsettling, naturalism that hooks you even though you might want to look away. Various right-wing and centrist political groups, as well as mainstream religious organizations, sought to counter this aspect of Weimar culture by promoting their own version of German culture. This version was rooted in classical music and literature, religion, and the family. In some cases, these groups blamed others for corrupting German culture. They blamed, for example, Jews, Communists, and Americans. Nazi Attitudes towards Homosexuality
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