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These are quite marvellous – and in the case of the Fourth Symphony, incendiary – performances. There’s something about the temperament of the Danish National Symphony Orchestra when they rejoice in the bracing and songful adventures of their favourite son and with an Italian at the helm there is further assurance that this music will sing. ’ Like me, you may well cherish your beloved sets by Schnabel, Kempff and Brendel (to name but three), but Lewis surely gives you the best of all possible worlds; one devoid of idiosyncrasy yet of a deeply personal musicianship.'

Photograph author unknown. Licensed under theCreative CommonsAttribution-Share Alike 4.0 Internationallicense. This setting also affects webinars. Recording for live events is a different setting, which is covered in Live event recording policies in Teams.

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He enjoys DIY projects, especially if they involve technology. He regularly repairs and repurposes old computers and hardware for whatever new project is at hand. He has designed crossovers for homemade speakers all the way from the basic design to the PCB. In 1916 some of Laine’s band were recruited to play in Chicago when the ODJB was formed and then, from January 1917, at Reisenweber’s Cafe in New York City – an engagement extended by 18 months due to their success. This led to them recording for the British-owned Columbia Gramophone Company, though Columbia didn’t release the record as it failed to recreate their popular sound and was not considered commercially attractive. Gronow, Pekka, and Saunio, Ilpo, "An International History of the Recording Industry", [translated from the Finnish by Christopher Moseley], London; New York: Cassell, 1998. ISBN 0-304-70173-4

The following table shows the behaviors of the settings for the -ExplicitRecordingConsent parameter: Setting value St-Laurent, Gilles, "Notes on the Degradation of Sound Recordings", National Library [of Canada] News, vol. 13, no. 1 (Jan. 1991), p.1, 3–4.Jonas Kaufmann (Paul), Marlis Petersen (Marietta), Andrej Filonczyk (Frank/Fritz), Jennifer Johnston (Brigitta), Mirjam Mesak (Juliette), Corinna Scheurle (Lucienne), Manuel Günther (Gaston/Victorin), Dean Power (Graf Albert), Bayerische Staatsoper, Kirill Petrenko, Simon Stone (director) (BSO Recordings) Early records varied widely in speed from 60 to 120 revolutions per minute (rpm) and in size: 78 rpm became the de-facto standard by 1910 as a compromise between playing time, reproduction fidelity and needle and record wear, though record companies persisted with speeds of 80 or 100 rpm in Europe for some time. She said: “It’s the first time I’ve ever seen the evidence of the murder victim play such a crucial role in a court case.

L'impression du son", Revue de la BNF, Bibliothèque nationale de France, no.33, 2009, ISBN 9782717724301, archived from the original on September 28, 2015 If a finer piano recording comes my way this year I shall be delighted, but frankly also astonished.’

This island nation

The first electrical recording issued to the public, with little fanfare, was of November 11, 1920, funeral service for The Unknown Warrior in Westminster Abbey, London. The recording engineers used microphones of the type used in contemporary telephones. Four were discreetly set up in the abbey and wired to recording equipment in a vehicle outside. Although electronic amplification was used, the audio was weak and unclear, as only possible in those circumstances. For several years, this little-noted disc remained the only issued electrical recording. Before 1917, jazz was heard mainly in New Orleans, then later in Chicago and other metropolitan centres. Jazz records gave examples for musicians to listen to and learn, and helped the music spread.