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Tadanori Yokoo: ADC • Global Awards & Club". Adcglobal.org. 27 June 1936 . Retrieved 30 December 2015. Donald Factor, the son of Max Factor Jr., and an art collector and co-editor of avant-garde literary magazine Nomad, wrote an essay in the magazine's last issue, Nomad/New York. The essay was one of the first on what would become known as pop art, though Factor did not use the term. The essay, "Four Artists", focused on Roy Lichtenstein, James Rosenquist, Jim Dine, and Claes Oldenburg. [36]

a b c d Scherman, Tony. "When Pop Turned the Art World Upside Down." American Heritage 52.1 (February 2001), 68. Author unknown. "(Table of contents, Untitled note about cover.)", Art News, vol. 56, no. 9, January 1958 Pop art", The Concise Oxford Dictionary of Art Terms, Michael Clarke, Oxford University Press, 2001. Another well-known pop artist was Roy Lichtenstein. His paintings and prints looked just like comic strips, including his most well-known work entitled Whaam!

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Dutch Pop Art & The Sixties – Weg met de vertrutting!". 8weekly.nl. 28 July 2005 . Retrieved 30 December 2015. Philadelphia Museum of Art Wins Fight with Facebook over Racy Pop Art Painting". artnet.com. 11 February 2016 . Retrieved 17 January 2020.

Diggory, Terence (2013) Encyclopedia of the New York School Poets (Facts on File Library of American Literature). ISBN 978-1-4381-4066-7 By contrast, the origins of pop art in post-War Britain, while employing irony and parody, were more academic. Britain focused on the dynamic and paradoxical imagery of American pop culture as powerful, manipulative symbolic devices that were affecting whole patterns of life, while simultaneously improving the prosperity of a society. [6] Early pop art in Britain was a matter of ideas fueled by American popular culture when viewed from afar. [4] Similarly, pop art was both an extension and a repudiation of Dadaism. [4] While pop art and Dadaism explored some of the same subjects, pop art replaced the destructive, satirical, and anarchic impulses of the Dada movement with a detached affirmation of the artifacts of mass culture. [4] Among those artists in Europe seen as producing work leading up to pop art are: Pablo Picasso, Marcel Duchamp, and Kurt Schwitters. Haskell, Barbara (1984) BLAM! The Explosion of Pop, Minimalism and Performance 1958–1964. New York: W.W. Norton & Company, Inc. in association with the Whitney Museum of American Art. Lawrence Alloway, "The Arts and the Mass Media," Architectural Design & Construction, February 1958. a b c de la Croix, H.; Tansey, R., Gardner's Art Through the Ages, New York: Harcourt Brace Jovanovich, Inc., 1980.Origins [ edit ] Charles Demuth, I Saw the Figure 5 in Gold 1928, collection of the Metropolitan Museum of Art, New York City