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and that’s my final problem with yellowface. it has a decent plot, interesting cast of characters, interesting themes and discussions, but my only feeling on the ending was, ‘…that’s it?’ i know i said i wouldn’t do quotes, but im making an exception for the bit where our narrator says, ‘I’ve written myself into a corner. The first two thirds of the book were a breeze to compose, but what do i do with the ending? Where do I leave my protagonist, now that there’s no clear resolution?’ Which is very meta, because based off the ending, i feel that’s the position rfk was in at that exact point. i can somewhat tell she struggled with where to take the ending and i have more thoughts on why i felt underwhelmed by it, but i guess that’ll be for 2023, for when it's no doubt on all the 'Very Important Books of the Year' lists. for now, i can see myself rereading babel and parts of tpw, but i don’t see myself rereading yellowface. So I don't really feel like we were making progress in this novel because I would not have given any credence to these naysayers.

One of the standout aspects of the book is the author's astute commentary on the perils faced by writers, such as internet trolls who use their freedom of speech rights to berate and belittle their creations. The story skillfully examines the commodification of writers, where their looks, personality, color of their skin and online presence become as important as their writing itself. There are books with characters that have issues, and issue books that have characters. This is the former, so it totally worked for me. There's a certain Discourse we're supposed to have from this book about Bad White Women, and how publishing serves to silence writers of colour. We also have to discuss who gets to tell certain stories. The problem is, we have spoken about this ad nauseum. So who is this book for? Outsiders who would like to know how it works? Adults who wanted a meta vivisection of this insular world but with Dark Themes?it was very heavy-handed, and pretty self-indulgent, but i love three things in this life and those are mean girls, and b*tching with my friends, and books, and this was all three of them in one.

Kuang unravels layers of our characters’ histories, complicating the narrative and forcing us to ask: “Who can claim literary authorship over our story?”

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Helio recalls a time before the accident, when he was living with Lula and enjoying their romantic comradeship. He is talking idly with his mistress when a telegram comes from Rio Piedras, the remote town in the country that he had left years ago for the large, impersonal city of Rio de Janeiro. The telegram reveals that his mother is dying.

and to be clear, this isn't a blanket response to everyone who disagrees with me (i've had interesting conversations with people who do)--just to some people who are determined to take the most uncharitable opinion possible of a frankly lukewarm review. It’s just a little too shaky in places, and whilst there aren’t any overt mistakes in terms of grammar and punctuation, I did occasionally find myself being jerked out of the story when somebody behaved strangely or said something unusual. You could tell it was purely for the sake of advancing the moral. And then there was the part where Zephaniah said it was a Friday, and in the following scene it was “the next day” and still Friday, somehow. Effortlessly create reels from trending templates, or let your creativity shine with a full suite of editing tools Remarkably, I found myself attached to a book despite disliking the main character. At times, I wished I could physically enter the story and confront June Hayward/ Juniper Song, who committed the ultimate crime: stealing her late friend Athena Liu's unpublished book. The reasons behind this act of creative theft are complex and include jealousy, thirst for power, honoring her friend's work in the best way possible, and seeking personal gain. It is a tale that explores unfairness, harbored resentment, and a thirst for karmic justice. Do you know what it's like to pitch a book and be told they already have an Asian writer? That they can't put out two minority stories in the same season? That Athena Liu already exists, so you're redundant?’But, overall, this is absolutely worth your time. Please read this. It is a shining gem in the 2023 literary world. I found this issue of plagiarism particularly ironic because Yellowface didn't strike me as very original, essentially a mashup of The Plot by Jean Hanoff Korelitz and The Wonderful Wizard of Oz by L Frank Baum. Furthermore, RF Kuang had a scene in The Poppy War (published 2018) where the main character was training by carrying a pig up a mountain.

Will you enjoy a single character? Categorically NO. But you will walk away with a greater understanding of the many failings of the publishing industry and how you might be unconsciously taking part in some of those failings. Well, there is a story in Holes (published 1998) by Louis Sachar where someone carries a pig up a mountain.In conclusion, an amazing foray into general fiction by R.F. Kuang. I swear this woman can do no wrong. Give her whatever topic to write about and I bet she can create something incredible out of the most boring premise. I think it's impressive how she took these modern controversies and wrote them into a twisty unputdownable story. It seems to me like it's a new experiment from her but at the same time a really smart jab at publishing too.