KAM RZ12A ACTIVE SPEAKER

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On delivery you must inspect the goods carefully for damage as Audio Volt is unable to accept responsibility for damage in transit, shortage of delivery or loss of products unless the customer advises Audio Volt of such within three working days from the date of delivery. EU Import Tax

At DJKit, we believe in offering the best DJ equipment and supplies to our customers, and that's why we stand firm by our decision to sell speakers from KAM. You'll find that they offer clarity and volume that far exceeds anything that their competition is able to do. Although there are many imitations, nothing comes close to the quality of a KAM speaker.Featuring a 12-inch woofer, the RZ12A delivers a powerful 250W RMS / 1000W Peak power output with a punchy bass response & crystal clear highs. Other Destinations - Price will be dependant on your location and number of boxes. Please get in touch for more details. Delivery Notes This discussion focuses on the issue of participation in relation to fieldwork in China. Drawing upon more than 24 months of musical ethnographic fieldwork in rural Kam (in Chinese, Dong 侗) minority areas of southwestern China since 2004, I describe the main participatory aspects of my research methodology. I look at three of the main challenges—linguistic barriers, cultural concerns and research positionality—that I faced while utilizing participation as part of my research, and describe some of the most effective ways in which I was able to turn these possible “constraints” into productive ends , writes Catherine Ingram. Kam people and Kam music Location of the two provinces (Guizhou and Hunan Provinces) and one autonomous region (Guangxi Zhuang Autonomous Region) where most Kam people reside. The approximate location of Sheeam is marked with an arrow (Map by Wu Jiaping, used with permission)

Ingram, C. (2012) Researching Kam Minority Music in China. In Ng, N. (ed.) Encounters : musical meetings between China and Australia. Toowong, QLD: Australian Academic Press, pp. 63-80 This Orthography is for Southern Kam as spoken in Rongjiang and was developed by the native speaker Ngo Van Lyong because he felt dissatisfied with the current system that can only be understood by a few hundred speakers and Chinese linguists. This system was also developed to represent his dialect of the language better which is why it doesn't have an exact 1 to 1 match with the Chinese official system. It is greatly inspired by the Vietnamese writing system but not all the same letters correlate to the same Vietnamese sounds. My research within Kam communities has been ongoing since 2004, and has mainly involved communities in the Sheeam region (in Chinese, Sanlong 三龙), in Liping county, southeast Guizhou province. It has led to a number of single and co-authored publications in areas including not only Kam minority music but also its relationship to discourses concerning gender, the environment, research ethics, digital fieldwork, anthropological studies of ‘tradition’ and notions of intangible cultural heritage. The fieldwork and research have led to a number of publications, some of which are listed below: This brief discussion of three of the main challenges I encountered in utilising participation in musical ethnographic research indicates that employing such a research methodology requires consideration of many complex and interwoven factors. However, I hesitate to suggest that these challenges are necessarily “constraints.” As I have shown, it is certainly possible to overcome these and other difficulties in participatory research. Moreover, the process or result of overcoming these factors often leads to insights or actions that can be instrumental in the success of the research project. For instance, the challenge of learning to speak Kam was a process that also built positive relationships; the challenge of learning from my friends about Kam cultural norms helped me to gain a great deal of knowledge about Kam culture and language; and the challenge of positioning myself within Kam communities led to me joining with my friends and teachers in many different kinds of daily village activities, enabling the kinds of invaluable insights into Kam music-making that could only arise through direct experience and through positive, equitable and long-lasting relationships. If you are in the market for quality lighting or wireless systems to assist you in delivering the very best performance, KAM is probably the company you are looking for. With years of experience spearheading the DJ lights and lasers industry, it's easy to see why so many people opt for KAM products over any of the other leading brands.

It is your responsibility to request a return. If you don’t tell us you want to make a return, we don’t know. Once you do tell us, we will do everything we can to action it. Finally, positioning myself in the research context and developing relationships with people presented various kinds of challenges. I had to develop ways to make my intentions and motivation understood, to convey the respect I held for my friends and their culture, and to build rapport across cultural and linguistic divides. Conveying this respect through being willing to engage in the muddy, exhausting or mundane tasks that are central to village life, learning to speak Kam, and participating in and evidently appreciating Kam culture (as illustrated through some of the footage in the Guizhou Television documentaries) was crucial to the relationships I have developed with Kam villagers and to my research positionality. Keith Ridler also notes the connection between shared tasks, friendship and ethnographic research, stating that: The Kam RZ12AP is a complete portable PA loudspeaker system that is fitted with a 12-inch woofer alongside a media player with USB and SD card inputs and Bluetooth connectivity for easily streaming music directly from your smartphone or tablet, also included are dual VHF wireless microphones for karaoke. Thanks to the easy-to-use, intuitive setup and portability of the speaker the RZ12ABT is perfect for DJs and musicians, karaoke, schools and colleges, buskers, street performers, public speakers, vocalists and singers, aerobics and & dance instructor, and house parties. One of the main challenges I faced throughout the research concerned linguistic barriers. I began my research with good fluency in Mandarin and some understanding of one Chinese dialect used in Hunan, but I had no experience with Kam or the local Chinese dialect spoken in Liping county. Consequently, I found it most useful to approach Mandarin speakers in Kam villages for help with learning Kam. In most cases, the best Mandarin speakers were secondary school students. With patience and a lot of time, with regular Kam song learning and discussion, and with daily involvement in many different activities where I was surrounded by people speaking Kam, I was gradually able to gain fluency in the language. Nay Lyang-jyao and Catherine Ingram planting rice seedlings, 2008 (Photograph by Wu Jiahui) Performing big song in Sheeam, February 2011 (Photograph by Cao Yang)

For portable lighting effects and equipment that can easily be transported from one place to another, KAM have you covered. With a range of smart and highly developed products available, we know you will enjoy shopping from our KAM lighting, effects and lasers range. Explore our range of KAM active PAs speakers and haze machines, and more. With a commitment to the customer in mind, you can enjoy KAM products for less without having to worry about compromising on quality. If you’re looking for easy set-up options that don’t mean breaking the bank, look no further than the KAM range from Prebeat. As his [ sic] perception of the configuration of events changes, a researcher realizes that the process of learning about and adapting to life in foreign cultures is as much a breaking down of the categories and concepts he has brought with him as it is a recognition and realization of the most meaningful perspectives he can establish (Chernoff 1979: 20) The Kam RZ15A offers various connectivity options to accommodate different audio sources such as inputs for microphones, instruments, and line-level sources, providing flexibility for performers, public speakers, and musicians.

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