Eskimo Oversized Sherpa Hoodie Sweatshirt Blanket - Warm and Cozy - Reversible with Pockets Grey

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With inspiration from Eskimo clothing, we decided to make a modern twist on how they keep warm and created the Snug-Rug® Eskimo™ Sherpa Fleece Hoodie Blanket! Using modern man-made heat retaining fabrics and some extra key features we’ve made this unbelievably warm over-sized hoodie blanket that’s useable anywhere! You won’t be afraid of the cold inside or out, it is the extra cosy layer of warmth you have always dreamed of.

Through the Lens: Kamiit" (PDF). Inuktitut (in English, French, and Inuktitut). No.110. Inuit Tapiriit Kanatami. 1 May 2011. pp.14–21.Otak, Leah Aksaajuq. "Iniqsimajuq: Caribou-skin Preparation in Igloolik, Nunavut". In King, Pauksztat & Storrie (2005), pp.74–79. Inuit clothing expert Betty Kobayashi Issenman identifies five aspects common to the clothing worn by all circumpolar peoples, made necessary by the challenges particular to survival in the polar environment: insulation, control of perspiration, waterproofing, functionality, and durability. [6] Other researchers of Arctic clothing have independently described similar governing principles, generally centred around warmth, humidity control, and sturdiness. [105] [174] Archaeologist Douglas Stenton noted that cold-weather garments such as Inuit clothing must maintain two attributes to be useful: "(i) protection of the body and (ii) the maintenance of task efficiency." [175] Interviews with Qikirtamiut seamstresses in the late 1980s found they sought similar attributes when deciding which bird skins to use and where. [111] Through socialization and trade, Inuit groups throughout their history disseminated clothing designs, materials, and styles between themselves. There is evidence indicating that prehistoric and historic Inuit gathered in large trade fairs to exchange materials and finished goods; the trade network that supported these fairs extended across some 3,000km (1,900mi) of Arctic territory. [92] They also encountered and incorporated concepts and materials from other indigenous Arctic peoples such as the Chukchi, Koryak, and Yupik peoples of Siberia and the Russian Far East, the Sámi people of Scandinavia, as well as non-Inuit North American indigenous groups. [93] [94] [95] Caribou and seal [ edit ] Prepared ringed seal hide, German Federal Fur School [ de] Specific rituals existed to placate the spirits of polar bears, which were seen as particularly powerful animals. It was believed that the spirits of polar bears remained within the skin after death for several days. When these skins were hung up to dry, desirable tools were hung around them. When the bear's spirit departed, it took the spirits of the tools with it and used them in the afterlife. [170] To ensure the survival of the family unit and the community as a whole, garments had to be sewn well and properly maintained. Heat loss from poorly constructed clothing reduced the wearer's ability to perform essential tasks in camp and on the hunt and limited their ability to travel. [131] It could also lead to negative health outcomes including illness, hypothermia, or frostbite, which in extreme cases can result in loss of limbs and eventually death. [79] [131] [132] For this reason, most garments, especially boots, were constructed from as few pieces as possible to minimize the number of seams, which in turn minimized heat loss. [90] [91]

Historically, European images of Inuit were sourced from the clothing worn by Inuit who travelled to Europe (whether voluntarily or as captives), clothing brought to museums by explorers, and from written accounts of travels to the Arctic. The earliest of these was a series of illustrated broadsides printed after an Inuit mother and child from Labrador were brought to the European Low Countries in 1566. [322] Other paintings and engravings of Inuit and their clothing were created over the following centuries. [323] 19th century techniques such as photography allowed for a wider dissemination of images of Inuit clothing, especially in illustrated magazines. [323] Issenman, Betty Kobayashi; Rankin, Catherine (1988b). Ivalu: Traditions Of Inuit Clothing. Montréal: McCord Museum of Canadian History. ISBN 0-7717-0182-9. OCLC 17871781. Saladin D'Anglure, Bernard (2006). "The Construction of Shamanic Identity Among the Inuit of Nunavut and Nunavik". In Christie, Gordon (ed.). Aboriginality and Governance: A Multidisciplinary Approach. Penticton Indian Reserve, British Columbia: Theytus Books. pp.167–178. ISBN 1-894778-24-3. Carlsen, Lars; Feldthus, Anders; Schmidt, Anne Lisbeth (1995). "The Preservation of Inuit Clothing Collected during the Fifth Thule Expedition (1921-24)". Arctic. 48 (4): 333–337. doi: 10.14430/arctic1256. ISSN 0004-0843. JSTOR 40511935.Although the learning process began in early childhood, fully mastering these skills could take until a woman was into her mid-thirties. [10] [127] Learning to make traditional clothing has always been a process of acquiring tacit knowledge by observing and learning the sewing process, then creating items independently without explicit verbal directions in what can be characterized as learning-by-doing. [129] Traditionally, young girls practiced by creating dolls and doll clothes from scraps of hide before moving on to small clothing items like mittens intended for actual use. [130]

Petersen, Robert (2003). Settlements, Kinship and Hunting Grounds in Traditional Greenland. Copenhagen: Danish Polar Center. ISBN 978-87-635-1261-9. Aztec Leopard Thunder Bird hoodie, Western hoodie, Aztec hoodie, Western Wear, Christmas Gift, Handmade Bird, Phillip (July 2002). Intellectual Property Rights and the Inuit Amauti: A Case Study (PDF) (Report). Pauktuutit Inuit Women's Association. Stern, Pamela R. (2010). Daily Life of the Inuit. Santa Barbara: Greenwood. ISBN 978-0-313-36312-2. Issenman, Betty Kobayashi (2007). "The Art and Technique of Inuit Clothing". McCord Museum. Archived from the original on 16 April 2021 . Retrieved 16 April 2021.

Traditional Inuit clothing is a complex system of cold-weather garments historically made from animal hide and fur, worn by Inuit, a group of culturally related indigenous peoples inhabiting the Arctic areas of Canada, Greenland, and the United States. The basic outfit consisted of a parka, pants, mittens, inner footwear, and outer boots. The most common sources of hide were caribou, seals, and seabirds, although other animals were used when available. The production of warm, durable clothing was an essential survival skill which was passed down from women to girls, and which could take years to master. Preparation of clothing was an intensive, weeks-long process that occurred on a yearly cycle following established hunting seasons. The creation and use of skin clothing was strongly intertwined with Inuit religious beliefs. Alaska Mountain Shirt, State Shirt, Alaska Cruise Travel Shirt, Camping Shirt, Adventure Shirt, Camping Sweatshirt, Camping, Outdoor Shirt Taylor, Juanita (14 February 2021). " 'Sewing is Therapy': Why This Nunavut Mom Sews Clothes for Her Kids". CBC News . Retrieved 20 April 2022. Harris, Alison J. T.; Fuerborn, Tatiana R.; etal. (September 2020). "Archives of Human-Dog Relationships: Genetic and Stable Isotope Analysis of Arctic Fur Clothing". Journal of Anthropological Archaeology. Elsevier. 56: 101200. doi: 10.1016/j.jaa.2020.101200. ISSN 0278-4165. S2CID 225284575. Dubuc, Élise (Fall 2002). "Culture Matérielle et Représentations Symboliques Par Grands Froids: les Vêtements de Pindustrie du Plein Air et la Tradition Inuit". Material Culture Review (in French). 56.