The Lion, the Witch and the Wardrobe: Journey to Narnia in the classic children’s book by C.S. Lewis, beloved by kids and parents: Book 2 (The Chronicles of Narnia)

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There were some repeat characters from the first book; however, I just did not get enough of the Witch. She says things that are laugh out loud funny. In contrast with The Magician's Nephew, this book did not seem as well written as the first. The first book was not as predictable as this one, and I found it more interesting. This book read more like a feel-good family story. Also, The Magician's Nephew has in my opinion one of the most memorable endings ever written. In The Lion, The Witch, and the Wardrobe, the ending was not nearly as remarkable. Stage adaptations include a 1984 version staged at London's Westminster Theatre, produced by Vanessa Ford Productions. The play, adapted by Glyn Robbins, was directed by Richard Williams and designed by Marty Flood. [63]

The Lion, the Witch and the Wardrobe by C.S. Lewis - Goodreads

James E. Higgins. "A Letter from C. S. Lewis". The Horn Book Magazine. October 1966. Archived 2012-05-24. Retrieved 2015-10-17. Several parallels are seen between the White Witch and the immortal white queen, Ayesha, of H. Rider Haggard's She, a novel greatly admired by Lewis. [46] Clive Staples Lewis (1898–1963) was one of the intellectual giants of the twentieth century and arguably one of the most influential writers of his day. He was a Fellow and Tutor in English Literature at Oxford University until 1954, when he was unanimously elected to the Chair of Medieval and Renaissance Literature at Cambridge University, a position he held until his retirement. Bird, Elizabeth (7 July 2012). "Top 100 Chapter Book Poll Results". A Fuse #8 Production. Blog. School Library Journal (blog.schoollibraryjournal.com). Archived from the original on 13 July 2012 . Retrieved 22 August 2012. So Lewis' attempt to take myth and adapt it to a Christian cosmology is hardly new--there is a long and storied tradition explored throughout the Chivalric period and recognizable today in books like The Once and Future King, but Lewis doesn't do a very good job of reconciling these disparate mythologies.

Ten-year-old Emil is excited to be taking the train to Berlin on his own for the first time - but he doesn't like the look of his fellow passenger, the man in the bowler hat. Peter, Susan, Edmund, and Lucy Pevensie are four siblings sent to live in the country with the eccentric Professor Kirke during World War II. The children explore the house on a rainy day and Lucy, the youngest, finds an enormous wardrobe. Lucy steps inside and finds herself in a strange, snowy wood. Lucy encounters the Faun Tumnus, who is surprised to meet a human girl. Tumnus tells Lucy that she has entered Narnia, a different world. Tumnus invites Lucy to tea, and she accepts. Lucy and Tumnus have a wonderful tea, but the faun bursts into tears and confesses that he is a servant of the evil White Witch. The Witch has enchanted Narnia so that it is always winter and never Christmas. Tumnus explains that he has been enlisted to capture human beings. Lucy implores Tumnus to release her, and he agrees. Lindsley, Art. "C. S. Lewis: His Life and Works". C. S. Lewis Institute . Retrieved 10 November 2016.

The Lion, the Witch and The Wardrobe - Biblio The Lion, the Witch and The Wardrobe - Biblio

Downing, David C. (2005). Into the Wardrobe: C. S. Lewis and the Narnia Chronicles. San Francisco: Jossey-Bass. ISBN 978-0-7879-7890-7. Due to labour-union rules, [53] the text of The Lion, the Witch and the Wardrobe was reset for the publication of the first American edition by Macmillan US in 1950. [2] Lewis took that opportunity to make these changes to the original British edition published by Geoffrey Bles [1] earlier that same year: After the children enter the world of Narnia through the wardrobe, Edmund finds himself in trouble under the service of the White Witch, as she tempts him with Turkish delight. When Edmund is threatened with death, Aslan offers to sacrifice himself as an atonement for the boy's betrayal. Aslan is shaved of his fur, and stabbed on an altar of stone. This is similar to how Jesus was publicly beaten, humiliated, and crucified. After his sacrifice, Aslan is reborn, and he continues to help the children save Narnia. [52] While this sequence of events is comparable to the death of Jesus, it is not identical to it. A few differences exist, such as the fact that Aslan did not allow himself to be killed to save the entirety of Narnia, but only to save Edmund. Aslan is also only dead for one night, while Jesus returned on the third day. [51] Despite these differences, the image of Aslan and the event of his death and rebirth reflect those of the biblical account of Jesus' death and resurrection, adding to the theme of Christianity throughout the novel. [51] Differences between editions [ edit ] I have heard many people describe the entire series as silly and far too preachy. I do not see it that way at all. Trust me if C.S.Lewis wanted to be preachy he would have written a lot more philosophy and less story. Yes I can see how some would call this silly but then I argue that they are missing the point. It's a fairytale type fantasy intended mainly for children (and for those children again as adults or for their parents perhaps). But I argue that as Lewis only wrote this story based on the story of the crucifixion in many ways that it was not intended as a preachy book. My question is that why is it that if I were to base a story along what some call the 'Christian myth' it is claimed as preaching while as if I were to base it on any other mythology or story it would be deemed as merely copying the themes of another mythology? Is this yet another example of doublethink?* I thought my vote was going to be for the Magician’s Nephew one, but the more I contemplate that VDT one, the more I reconsider my opinion.

I’ve seen a lot of hate over these books because of the Christian allegories involved in the storytelling. Now I find this somewhat stupid. I’m not a Christian, far from it, but you can’t really criticise a book because of this. It’s incredibly naïve. It would be like judging Jane Eyre based on its feminism aspects or Shakespeare’s exploration of colonialism in The Tempest. It’s silly. This book is, undeniable, full of Christian dogmatism. But it’s what the author wanted it to be. If you read Tolkien’s work there are so many allusions the world wars; this doesn’t affect the overall storytelling. It’s simply what is there. Read this with an open mind, as an English Literature student, I read the bible. I don’t believe the words inside, but I can still enjoy the experience. And this story is no different. Take it for what it is. a b c "The lion, the witch and the wardrobe; a story for children" (first edition). Library of Congress Catalog Record. The Lion, the Witch and the Wardrobe is a portal fantasy novel for children by C. S. Lewis, published by Geoffrey Bles in 1950. It is the first published and best known of seven novels in The Chronicles of Narnia (1950–1956). Among all the author's books, it is also the most widely held in libraries. [3] It was the first of The Chronicles of Narnia to be written and published, but is marked as volume two in recent editions that are sequenced according the stories' internal chronology. Like the other Chronicles, it was illustrated by Pauline Baynes, and her work has been retained in many later editions. [2] [1]