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Venice

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It is also a bit of a historical guide as it was originally written 60 or more years ago. Morris updated it a few times, but the last of those was almost 30 years ago, and even in as apparently timeless cities as Venice, things change, so again little use as a practical tool. Inventory of the Lettere e Scritture Turchesche in the Venetian State Archives (Islamic Manuscripts and Books, 1)

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I like mysteries so I’ve read quite a few of Donna Leon’s books over the years, just because there are so many of them. When I was reading your travel guide to Venice and you mentioned the name of a place, I kept going, ‘Oh, yes, I know that name. Brunetti is always walking along there.’ Do we not know them well, whenever we live, the aesthetic conservers on the one hand, the men of change on the other? Which of these two philosophies is the more romantic, I have never been able to decide." (The City: 22)Other Venetian waterways ... have an average width of twelve feet, and the average depth of a fair-sized family bath-tub." (The City: 12) The Grand Canal ... follows the course of a river known to the ancients as Rivo Alto - the origin of the Rialto." (The City: 11) The modern Venetian ... examines the world's delights analytically, as a hungry entomologist might dissect a rare but potentially edible spider." (The City: 17)

Venice holidays 2023/2024 | British Airways Venice holidays 2023/2024 | British Airways

I found Italian Venice absolutely brilliant. It is a very, very good book to read when you’re there. Some of the stories! One of the things that’s mentioned in every guidebook on Venice is Molino Stucchi, this great big Gothic behemoth of a building on the end of the Giudecca. It’s now got a Hilton in it and, on top of it, there’s a Nutella bar. I don’t know why, but I wasn’t allowed to mention the Nutella bar in my Venice guide. It seemed to me one of the things that everybody would be most interested in. I’ve never been to a Nutella bar before, but if you like Nutella…But that mill was built by an Austrian to feed Venice, and he was beset by a series of terrible personal misfortunes. Eventually, it burnt down, he died, everything went wrong, and it sits there as a great ghost town factory. That end of the Giudecca has also got the woman’s prison and one other prison. It’s not a surprise that it’s the most communist of Venice’s sestiere because it’s quite rough. And I think I'll take the liberty to delete Gaardner's "Christmas Mystery" -- that one's set in Norway. Registro delle Imprese di Venezia n. 03069670275 – REA VE 278800 C.F e P.I. 03069670275 Capitale Sociale € 1.885.000,00 i.v. Sudden coveys of youths" is rather marvellous phrasing. But much later, Chapter 21 hits a stride of particularly striking, almost too-rich descriptions: When I said that the Gothic was the great export of Venice, probably more unique to the Veneto and Venice and equally pervasive globally, is Palladian classicism. Andrea Palladio was actually called something quite different, but was adopted by a grandee of Mantua, who called him Palladio after Pallas Athena because he was such an amazing god of drawing. He was a stone mason, as was his father, and had these extraordinary ideas.

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Another extraordinary museum, less for paintings but for odd things, is the Naval Historical Museum, which is up by the Arsenale. It’s an extraordinary collection of model boats and shells. One of my favorite things is a series of working drawings for First World War battleships. They’re huge, complex, and very neat, and they did all this without a felt pen. They must have been waiting for the ink to splotch at any moment, and for the whole thing to be wasted. All Quiet on the Western Front - it's been some years since I read it, but I don't recall Venice in it. Anyone read it more recently? The fashionable eighteenth-century priest who, though courted by the greatest families of the Serenissima, chose to live in a rat-infested garret, and collected spiders' webs as a hobby." (The Lagoon: 26) There is, I think, an easy explanation for the vast difference in quality and style between the two books. Trieste and The Meaning of Nowhere was written in 2002, one of her later works. The World of Venice, on the other hand, was written in 1960. I don't think she'd yet found her unique and lovely way of bringing together the eloquent travel essay, the quirks of history, and the expert tour guide into one unified whole. His ideas then have a tremendous life in diaspora, particularly around Britain. You get buildings like Templeton Carpet Factory in Glasgow, the Meadows building at Christ Church, or St. Pancras station in London. There are a number of buildings that use the language of Venice in English architecture. It is a political thing, it is saying, ‘This is how you do good.’

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