Deluxe Dracula: Deluxe Edition (Deluxe Illustrated Classics)

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Kabatchnik, Amnon (2009). Blood on the Stage, 1925–1950: Milestone Plays of Crime, Mystery, and Detection. Lanham, Maryland: Scarecrow Press. ISBN 978-0-8108-6963-9. Deane made several other changes from Stoker's novel in his adaptation. He streamlined the story by omitting all scenes set outside of England, including the opening sequence of Jonathan Harker visiting Transylvania and the final sequence of Dracula being chased through Europe. [35] Jonathan Harker did help Dracula to buy property in London, but he did it without ever leaving England and met the Count only after he arrived in London and became the Harkers' neighbor.

Edward Gorey - BBC Culture The mysterious, macabre mind of Edward Gorey - BBC Culture

CrimeReads reports that in 1977 Gorey was hired to design sets and costumes for a revival of the original "Dracula" play, which was made famous by the 1931 film version starring Bela Lugosi. Gorey had never worked in theater before, and had never designed sets or costumes before, but he wound up designing both, as well as the advertising art and other aspects of the show. Gorey's work soon became the play's most successful feature — in fact, as Boing Boing reports, Gorey was awarded a Tony Award for his costume design. He brought his ink drawing style to full-sized life for the actors to inhabit, and his work is a big reason the play was a smash success. The original cast of the revival included Frank Langella as Count Dracula (later replaced by Raúl Juliá), Alan Coates as Jonathan Harker, Jerome Dempsey as Abraham Van Helsing, Dillon Evans as Dr. Seward, Baxter Harris as Butterworth, Richard Kavanaugh as R. M. Renfield, Gretchen Oehler as Miss Wells, and Ann Sachs as Lucy Seward. [19] The show won two Tony Awards for Most Innovative Production of a Revival and Best Costume Design (Edward Gorey).The Era gave a positive review to the original production in 1924, calling it "very thrilling". [41] The paper also gave a positive review to the Little Theatre production in London, praising its "breathtaking excitements" and comparing it favorably to the Grand Guignol shows in Paris. [42] related_content_links_2_title: Connect with other MASTERPIECE Mystery! fans in our official Facebook group The revised version of the play went on a national tour of the United States and replaced the original version in London. It influenced many subsequent adaptations, including the popular 1931 film adaptation starring Lugosi. A 1977 Broadway revival featured art designs by Edward Gorey and starred Frank Langella. It won the Tony Award for Best Revival and led to another movie version, also starring Langella.

Dracula: Deluxe Edition by Bram Stoker | WHSmith

related_content_links_0_title: Take an auditory tour of Edward Gorey House with the MASTERPIECE Studio podcast Dracula is a stage play written by the Irish actor and playwright Hamilton Deane in 1924, then revised by the American writer John L. Balderston in 1927. It was the first authorized adaptation of Bram Stoker's 1897 novel Dracula. After touring in England, the original version of the play appeared at London's Little Theatre in July 1927, where it was seen by the American producer Horace Liveright. Liveright asked Balderston to revise the play for a Broadway production that opened at the Fulton Theatre in October 1927. This production starred Bela Lugosi in his first major English-speaking role. a b DVD Documentary The Road to Dracula (1999) and audio commentary by David J. Skal, Dracula: The Legacy Collection (2004), Universal Home Entertainment catalog # 24455 In the revised story, Abraham Van Helsing investigates the mysterious illness of a young woman, Lucy Seward, with the help of her father and fiancé. He discovers she is the victim of Count Dracula, a powerful vampire who is feeding on her blood. The men follow one of Dracula's servants to the vampire's hiding place, where they kill him with a stake to the heart. Balderston's revisions for the Broadway production included removing characters to reduce the total cast from eleven to eight. The characters of Arthur Holmwood and Quincey Morris (in any form) were completely removed, while Dr. Seward was aged up from one of the suitors to father of main female character.Here his social circle revolved around what Mark Dery, author of Gorey’s first major biography Born to be Posthumous, refers to as the “gay literati”, including the poet Frank O’Hara with whom he shared a passion for obscure literature. Although most people who met him assumed Gorey was also gay, he was notoriously reticent on the subject. When one interviewer pressed him on his sex life, “he responded: ‘I’m a person first, an artist a distant second and whatever else last,’” says Dery. Gorey created scores of meticulous little books; books publishers didn’t know what to make of. “He said most were meant for children, whether that’s wildly inappropriate or not,” says Hischak. Set in a vaguely Victorian period filled with doomed characters, these short works are surreal yet playful—with pen and ink etchings and the briefest of hand-lettered text. His books ran the gamut from the inexplicable The Doubtful Guest (1957) to the macabre alphabet book Gashlycrumb Tinies (1963) and didn’t exactly fly off the shelves. Gorey only began to see real earnings from these titles when they were resurrected as omnibus editions ( Amphigoreys) by a new, marketing-savvy publisher. Scivally, Bruce (2015). Dracula FAQ: All That's Left to Know About the Count from Transylvania. Milwaukee, Wisconsin: Hal Leonard Corporation. ISBN 978-1-61713-636-8. OCLC 946707995.

Dracula (Deluxe Edition) by Bram Stoker; Edward BIBLIO | Dracula (Deluxe Edition) by Bram Stoker; Edward

Vieira, Mark A. (1999). Sin in Soft Focus: Pre-Code Hollywood. New York: Harry N. Abrams, Inc. p.42. ISBN 0-8109-4475-8. During the original Broadway run, members of the Dracula cast presented an adaptation of the play on 30 March 1928, on the short-lived NBC Radio series Stardom of Broadway. Lugosi, Van Sloan, Peterson, Neill, and Jukes performed on the 30-minute program. [44] Films [ edit ] Bela Lugosi in the 1931 film adaptation Frank Langella played the lead in this production, which used the play-text by Hamilton Deane and John Balderston. The last time this play had been brought to Broadway, the lead had been Bela Lugosi. Leonard, William Torbert (1981). Theatre: Stage to Screen to Television: Volume I: A-L. Metuchen, New Jersey: Scarecrow Press. ISBN 0-8108-1374-2. OCLC 938249384. While living in New York City, Gorey habitually attended performances of the ballet. Five months out of the year—for nearly 30 years—he rarely missed productions showcasing the choreography of George Balanchine, whom he called “the greatest living genius in the arts.” Yet Gorey never so much as spoke to Balanchine. “They probably spied each other [at Lincoln Center] on an almost daily basis, but there was no collaboration of any kind between them,” says Hischak.In 1927 the play was brought to Broadway by producer Horace Liveright, who hired John L. Balderston to revise the script for American audiences. In addition to radically compressing the plot, Balderston reduced the number of significant characters. Lucy Westenra and Mina Murray were combined into a single character, making John Seward Lucy's father and disposing of Quincey Morris and Arthur Holmwood. In Deane's original version, Quincey was changed to a woman to provide work in the play for more actresses. The Broadway producers established a road company that toured the U.S. in 1978 and 1979, with Jean LeClerc as Dracula and George Martin as Van Helsing. [20] Jeremy Brett starred as Dracula in Denver, Los Angeles, San Diego, San Francisco, and Chicago. [21] The U.S. revival also sparked a new production in London, where it opened on 13 September 1978 at the Shaftsbury Theatre. Terence Stamp took the title role, with Derek Godfrey as Van Helsing and Rosalind Ayres as Lucy. [22] Plot of the play [ edit ] Plot of original version by H. Deane [ edit ]

When Edward Gorey Illustrated Dracula: Two Masters of the

Murray, Paul (2022). "Hamilton Deane (1879–1958)". The Green Book: Writings on Irish Gothic, Supernatural and Fantastic Literature (20 (Samhain)): 92 . Retrieved 29 September 2023. mp_sf_list_5_description: While living in New York City, Gorey habitually attended performances of the ballet. Five months out of the year—for nearly 30 years—he rarely missed productions showcasing the choreography of George Balanchine, whom he called “the greatest living genius in the arts.” Yet Gorey never so much as spoke to Balanchine. “They probably spied each other [at Lincoln Center] on an almost daily basis, but there was no collaboration of any kind between them,” says Hischak. Directed by Ira Hards with scenic design by Joseph A. Physioc, Dracula opened on 5 October 1927 at the Fulton Theatre in New York City. It closed on 19 May 1928 after 261 performances. The Broadway production starred Bela Lugosi in his first major English-speaking role; Edward Van Sloan as Van Helsing; and Dorothy Peterson as Lucy Seward. [12] Raymond Huntley, who had performed the role of Dracula for four years in England, was engaged by Liveright to star in the U.S. touring production. The national tour began on 17 September 1928 in Atlantic City, New Jersey. [13] 1951 UK tour [ edit ] Weber, Johannes (2015). "Like Some Damned Juggernaut": The Proto-filmic Monstrosity of Late Victorian Literary Figures. Bamberg, Germany: University of Bamberg Press. ISBN 978-3-86309-348-8.Rhodes, Gary Don (2006) [1997]. Lugosi: His Life in Films, on Stage, and in the Hearts of Horror Lovers. Jefferson, North Carolina: McFarland. ISBN 0-7864-2765-5. OCLC 809669876.