Drive

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Rosen, Christopher (September 16, 2011). "L.A. Story: Drive Director Nicolas Winding Refn on His Quintessential Los Angeles Film". Moviefone. Archived from the original on October 12, 2011 . Retrieved October 9, 2011. Albert Brooks plays the foul-mouthed, morose Bernie Rose. When Refn suggested him, Gosling agreed, but thought the actor might not want to play a character who is violent and sullen, or appear in a film that he did not work on himself. [21] Brooks accepted the role to go against type, and because he loved that Bernie was not a cliché. Paul Skenazy of The Washington Post praised the author's "refreshing, even startling" prose and called it "a lovely piece of work that makes you wish some other writers would take lessons from him." [5] When Gosling signed on for the leading role, he was allowed to choose the director, a first in his career. [12] The actor chose Danish filmmaker Nicolas Winding Refn, whose work he admired. He said, "It had to be [him]. There was no other choice." [12] [13] The writers for the film magazine Empire listed Drive as their number one film of 2011. [80] Peter Travers of Rolling Stone gave the film 4 out of 4 stars, declaring that Drive was "a brilliant piece of nasty business," and that "Refn is a virtuoso, blending tough and tender with such uncanny skill that he deservedly won the Best Director prize at Cannes." Travers also said, "Prepare to be blown away by Albert Brooks. Brooks' performance, veined with dark humor and chilling menace (watch him with a blade), deserves to have Oscar calling." [81] [82] The Wall Street Journal 's Joe Morgenstern also praised Brooks's performance, calling his villainous performance "sensational." [83] James Rocchi of The Playlist gave the film an "A" letter grade, and wrote that " Drive works as a great demonstration of how, when there's true talent behind the camera, entertainment and art are not enemies but allies." [84] Rocchi placed Drive as his number one film of 2011. [85]

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Zeitchik, Steven (May 19, 2011). "Cannes 2011: With Ryan Gosling's Drive, a different Dane gets his moment". Los Angeles Times. Archived from the original on May 25, 2011 . Retrieved July 1, 2011. Nino, a key villain, is portrayed by Ron Perlman, one of the last actors to join the cast. Refn said, "The character of Nino was originally not particularly interesting, so I asked Ron why he wanted to be in my movie when he's done so many great films. When Perlman said, 'I always wanted to play a Jewish man who wants to be an Italian gangster', and I asked why, and he said, 'because that's what I am – a Jewish boy from New York', well, that automatically cemented it for me." [21] Oscar Isaac portrays a Latino convict named Standard, who is married to Irene and is released from prison a week after Irene meets The Driver. Finding the role somewhat unappealing, he developed the archetypal character into something more. a b c " Drive (2011)". The Numbers. Archived from the original on October 18, 2018 . Retrieved October 19, 2018.a b c d e f g h Lim, Dennis (May 22, 2011). "Cannes Q. and A.: Driving in a Noir L.A." The New York Times. Archived from the original on May 28, 2011 . Retrieved June 15, 2011. Australian Box Office". Box Office Mojo. September 27, 2011. Archived from the original on January 8, 2014 . Retrieved January 8, 2014. Didbin, Emma (May 19, 2010). "Bronson helmer fancies Wonder Woman". Total Film. Archived from the original on January 31, 2012 . Retrieved July 1, 2011. In March 2012, Interiors, an online journal concerned with the relationship between architecture and film, published an issue that discussed how space is used in this scene. The issue highlights Refn's use of constricted space and his way of creating a balance between romance and violence. [32] Refn shot Drive digitally with an Arri Alexa camera. Some software can contain a book template with a few sections, which might sound limiting to writers. But there are platforms like Google Docs that provide a custom book template. Why Use a Book Template?

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The film was greeted with hoots and howls of joy from the media, with viewers cheering on some of the scenes featuring extreme violence. [25] [44] Drive received a 15-minute standing ovation from the crowd. [70] The festival awarded Refn best director for Drive. [71] Dietz, Jason (December 5, 2011). "2011 Film Awards and Nominations". Metacritic. Archived from the original on November 14, 2012. a b c d Stone, Jay (May 20, 2011). "Ryan Gosling's career Drive". Vancouver Sun. Archived from the original on January 31, 2012 . Retrieved July 1, 2011.Cannes Film Festival 2011: Glamour and controversy". BBC News. May 23, 2011 . Retrieved November 15, 2020. Montgomery, David J. (December 27, 2005). "Gripping 'Drive' gives crime fiction a distinctive turn". Boston.com . Retrieved November 16, 2020.

Drive | Daniel H. Pink

Drive is an expansion of a story of the same name that Sallis originally wrote for the noir anthology Measures of Poison (2002), published by Dennis McMillan Publications. [2] The novel was published by Poisoned Pen Press on September 1, 2005. [3] Reception [ edit ] Canva, Michael (July 7, 2011). "San Diego Comic-Con: 20 highlights from just-announced Thursday schedule". The Washington Post. Archived from the original on November 13, 2012 . Retrieved July 8, 2011. Phillips, Michael (September 15, 2011). " Drive: Noir Lives, Dies by Its Looks". Los Angeles Times. Archived from the original on May 13, 2013. The next step is choosing the font and the font size. Generally speaking, most writers prefer Times New Roman or Calibri. The font size should be 11 or 12 so that the editor can see everything clearly. Step 4 Every movie has to have a heart – a place where it defines itself – and in every movie I've made there's always a scene that does that. On Drive, it was hard for me to wrap my head around it. I realized I needed to show in one situation that Driver is the hopelessly romantic knight, but he's also completely psychotic and is willing to use any kind of violence to protect innocence. But that scene was never written. As I was going along, it just kind of popped up. [31]

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Pink is one of our smartest thinkers about the interaction of work, psychology and society. ” —Worth The film premiered on May 20, in competition at the 2011 Cannes Film Festival. [46] At its first showing the film received abundant praise [68] and "some of the best responses of the festival," [69] but Xan Brooks of The Guardian, who gave it a positive review, said it "can't win, won't win" Cannes's top prize. [47] Brooks explained that "[I]t's too self-consciously retro, too much a series of cool, blank surfaces as opposed to a rounded, textured drama," but said that it was his "guilty pleasure" of the 2011 competition, labeling it an enjoyable affair. He said,

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a b Knegt, Peter (September 15, 2011). "A Complete Guide to 2011–12 awards Season". IndieWire. Archived from the original on November 16, 2012. Rocchi, James (September 14, 2011). "Nicholas Winding Refn's Low-Slung '80's Crime Drama Drive has a Dark Majesty". The Playlist. Archived from the original on July 31, 2013 . Retrieved February 20, 2013. Lee, Amy (September 16, 2011). " Drive Director Nicolas Winding Refn On Sex, Violence And Carey Mulligan". The Huffington Post . Retrieved May 22, 2017.

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